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XXII Triennale, Broken Nature: Design Takes on Human Survival Symposium II
MoMA, New York
XXII Triennale, Broken Nature: Design Takes on Human Survival Symposium II took place on January 14, 2019 at MoMA.
As a member of MoMA R&D, I worked with Paola Antonelli, MoMA R&D Director and Artistic Director of the XXII Triennale, to organize the 400+ person symposium at MoMA. There were opening remarks by Glenn Lowry, Director of The Museum of Modern Art, and Stefano Boeri, President of La Triennale di Milano. Speakers included Ursula K. Heise, Heather Davis, Karthik Dinakar, Teddy Cruz & Fonna Forman, Maurice Cox, Dori Tunstall, Susannah Drake, Neri Oxman, Antonia Juhasz, and Cara Smyth. There were video contributions from Chris Woebken, Giorgia Lupi, Vishaan Chakrabarti, Hilary Cottam, Sean Anderson, Toshiko Mori, and Thomas Thwaites.
Learn more here.
Prompt: One and a half months before the opening of the XXII Triennale, Broken Nature: Design Takes on Human Survival, The Museum of Modern Art hosted the second Broken Nature symposium, to explore the notion of restorative design. Drawing on architecture, urban planning, geopolitics, linguistics, and other overlapping fields of research, the symposium traced design’s potential to repair humans’ collapsing bonds with nature, and offered a dynamic exchange of opinions through individual presentations, panel conversations, a debate, and video contributions.
Broken Nature
The XXII Triennale di Milano, Broken Nature: Design Takes on Human Survival, highlighted the concept of restorative design and studies the state of the threads that connect humans to their natural environments––some frayed, others altogether severed. In exploring architecture and design objects and concepts at all scales and in all materials, Broken Nature celebrated design’s ability to offer powerful insight into the key issues of our age, moving beyond pious deference and inconclusive anxiety. By turning its attention to human existence and persistence, the XXII Triennale promoted the importance of creative practices in surveying our species’ bonds with the complex systems in the world, and designing reparations when necessary, through objects, concepts, and new systems. Even to those who believe that the human species is inevitably going to become extinct at some point in the (near? far?) future, design presents the means to plan a more elegant ending. It can ensure that the next dominant species will remember us with a modicum of respect: as dignified and caring, if not intelligent, beings.
Image: Panel discussion; Photo: Sam Ozer