Watch & Chill 3.0: Streaming Suspense

TONO (multi-venue) Mexico City; The National Museum of Modern and Contemporary Art Korea, Seoul (MMCA); The Peabody Essex Museum, Salem (PEM); The National Gallery of Victoria, Melbourne (NGV).

Watch & Chill is a hybrid video art exhibition that travels between the physical spaces of TONO, MMCA, PEM, and NGV and is simultaneously streamed on the MMCA’s Watch & Chill streaming platform. Operated by the MMCA for three years, Watch and Chill re-establishes the hierarchy between online experience and physical exhibition and has been exploring an expansive curatorial methodology that complements the limitations of both. TONO’s participation in season three with institutions in the Americas and Oceania follows the success of season one, which included collaborations with Asian museums (Museum of Contemporary Art and Design (MCAD) in Manila, MAIIAM Contemporary Art Museum in Chiang Mai, and the M+, West Kowloon Cultural District in Hong Kong) and season two, which brought in partnerships with Middle Eastern and European art institutions (ArkDes, the Swedish Centre for Architecture and Design and Sharjah Art Foundation).

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Participating Artists: Meriem Bennani, Pia Borg, Club Ate (Justin Shoulder, Bhenji Ra), Fyerool Darma, FHHH friends (Han Seungjae, Han Yangkyu, Yoon Hanjin), Cécile B. Evans, Naomi Rincón Gallardo, Chitra Ganesh, Nic Hamilton, Kwon Hayoun, Jang Minseung, Jung Jaekyung, siren eun young jung, Paloma Contreras Lomas, Liang Luscombe, Garush Melkonyan, Alison Nguyen, Park Chan-kyong, Luiz Roque, Jacolby Satterwhte, Skawennati, Lior Shamriz, Song Sanghee, Karina Utomo and Cūrā8.

Prompt: Watch and Chill season 3 explores the ways in which the methods of storytelling and imaging conjure immersion and suspense, bringing together the works of artists, designers, and filmmakers that experiment with the psyche of uncanny, abnormality, shape-shifting, mutable bodies, and related implications today. Shedding light on the idiosyncratic tension quested by contemporary practitioners of moving-image, the exhibition aspires to probe alternative narratives and worldings that destabilize the status quo.

Streaming Suspense consists of five subtopics. “Landscape under Moonlight” reflects on the idea of an “uncanny valley,” the borderline between familiarity and mystery. Capturing the moment of transition from the sense of comfort to discomfort, it strives to track down the psychological shift when entering unknown territory. “Assembly of Evidence” looks at the forensic efforts that investigate the traces of crime—either in history or in fictional stories—to understand the hidden truth in our reality.“Mutable Corpus” deals with the bodies that morph into something else. From parasitic viruses to mass crowds of people, it attempts to reveal the ways in which mutation occurs in various bodily scales. “Performance of the Undead” inquires how performing becomes a means of survival. It explores the examples of re-enacting discontinued lives and heritages, transcending the normative temporality. Finally,“Post-dystopian Worldbuilding” probes the possible universes as imagined alter-worlds to overcome the challenging conditions of our time.

Photo credit: Naomi Rincón Gallardo, Verses of Filth, 2021, installed at the MMCA; Photo: Cheolki Hong